THE COUNCIL 2432 TAKES ITS OHIO HIP-HOP MOVEMENT TO ILLINOIS FOR “LOUD N DA STICKS” FESTIVAL

Jag Da Apostle, Manny Divine, Mall Black, Matthew Cooper, Bobby Parrish and Billy Blaize bring The Council 2432’s independent sound and Midwest energy to Mt. Olive on August 15

The Council 2432 is taking the movement beyond Ohio and deeper into the Midwest. The independent hip-hop collective will represent the Buckeye State at Jay Panduh’s “Loud N Da Sticks”, an all-day music, culture and cannabis-friendly 18+ event taking place Saturday, August 15, 2026, at 21700 Old Reservoir Road in Mt. Olive, Illinois.

Representing The Council 2432 on the Illinois stage will be Jag Da Apostle, Manny Divine, Mall Black, Matthew Cooper, Bobby Parrish and Billy Blaize—six distinct personalities united under one movement, each bringing a different voice, style and energy to a collective built around authenticity, brotherhood, independent hustle and the unmistakable grit of Ohio hip-hop.

THE COUNCIL 2432

For The Council 2432, the trip to Illinois represents another step in expanding a movement that has been building throughout the Ohio Valley and beyond. Rather than waiting for the industry to come to them, the collective continues to take its music directly to audiences—performing, networking and building relationships one city and one stage at a time.

Jag Da Apostle stands as one of the creative forces behind The Council’s sound and direction, bringing veteran presence, production instincts and a commanding approach to the microphone. Manny Divine delivers a smooth, controlled style rooted in lyric-driven hip-hop, while Mall Black brings his own street-tested voice and Cleveland influence to the collective.

Matthew Cooper adds another dimension to The Council’s chemistry with his individual style and presence, while Bobby Parrish brings renewed hunger and veteran perspective to the movement following his return to hip-hop. Together with Billy Blaize, whose leadership and business vision have helped drive The Council forward, the six artists represent a collective determined to turn regional momentum into something much bigger.

“Loud N Da Sticks” provides the group with another opportunity to introduce that chemistry to a new audience while sharing the stage with independent talent from throughout the Midwest.

The festival is scheduled to run from 1:00 p.m. until 11:00 p.m., with local jam bands performing from 2:00–5:00 p.m. and hip-hop performances scheduled from 6:00–11:00 p.m. The event will also feature local vendors, food trucks, games and activities.

THE COUNCIL 2432

The Council 2432 joins a diverse lineup that includes Stevie Stone, Blind Fury, King N.U.B.S. and numerous independent artists and brands.

The Illinois appearance continues an active period for The Council 2432. From live performances and community events to media appearances and regional travel, the collective continues demonstrating what can happen when independent artists combine talent, organization, consistency and a unified vision.

For Jag Da Apostle, Manny Divine, Mall Black, Matthew Cooper, Bobby Parrish and Billy Blaize, August 15 represents more than another performance date. It is another state, another market and another opportunity to put The Council 2432 in front of a new audience.

From the Ohio Valley to Illinois, The Council is carrying its music, culture and independent mentality across state lines.

THE COUNCIL 2432 ISN’T WAITING FOR A LANE. THEY’RE BUILDING ONE.

EVENT INFORMATION

Jay Panduh Presents: LOUD N DA STICKS

Saturday, August 15, 2026

Doors: 1:00 PM

Show Ends: 11:00 PM

Location: 21700 Old Reservoir Road, Mt. Olive, IL 62069

Admission: 18+ Adults Only

Featuring The Council 2432:

Jag Da Apostle • Manny Divine • Mall Black • Matthew Cooper • Bobby Parrish • Billy Blaize

#thecouncil2432   #loudndasticks   #ohiohiphop   #weedsuitheros

HoodTrophy Bino Drops New Hit Single “Drip Drop” ft. Heaven Marina 

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HoodTrophy Bino and Heaven Marina are applying full pressure with the new fiery single and video, “Drip Drop.” The West Coast slap gives the perfect backdrop for Heaven Marina to deliver a catchy, talk-your-sh*t hook, while Bino unloads relentless flow after flow. Packed with sleek visuals and non-stop momentum, “Drip Drop” stands out as a high-octane release from Bino’s forthcoming album, Still Here, which is set to release later this month.
 
“Drip Drop” follows a string of major career moves for Bino, including summer tour dates with Shordie Shordie, Wallie the Sensei, Lefty Gunplay, and Rio Da Yung OG, a highly anticipated joint album with Hit-Boy arriving this fall, and a starring role in TREND Network’s reality series Coming Up Miami that premiered this month. Bino’s music has been covered by Hot 97, No Jumper, VIBE, Notion, Big 3, Sneakercon, and much more.
From gang life to global stages, Hoodtrophy Bino’s journey is one of transformation. After meeting Soulja Boy while incarcerated and later joining S.O.D.M.G., he turned adversity into ambition — touring nationwide and sharing his story through the acclaimed documentary Breaking the Generational Curse. His recent performances include touring with Soulja Boy, appearing alongside him at Rolling Loud Los Angeles, opening for Trippie Redd at the Toyota Arena, and for Chris Brown in Las Vegas. Bino has also been featured on major platforms including The Breakfast Club, On The Radar, HotNewHipHop, Lyrical Lemonade, and No Jumper. Breakout singles “I Want Her” featuring Kalan.FrFr and “Falling For You” further solidified his national presence, earning airplay across SiriusXM The Heat, Power 106, Power 105.1, and 96.1 The Beat, among others.
HoodTrophy Bino has rapidly evolved from a local LA favorite into one of the fastest-rising independent voices out of the West Coast, with Q1 2026 cementing his shift into the global viral conversation. Across Instagram, TikTok, and YouTube, his content has generated multi-million-view moments and a reliably high engagement floor, underscoring a real audience rather than flash-in-the-pan virality.
Connect:
Hoodtrophy Bino

J. Maurice Unveils New Single And Music Video, “The Best Part,” Showcasing A Smooth Alternative Sound

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The Independent Artist Delivers A Soulful New Release That Blends Laid-Back Vibes, Captivating Melodies, And Striking Visuals.

Independent recording artist J. MAURICE returns with his latest single, “The Best Part,” accompanied by an official music video that is now streaming on YouTube. The new release highlights the artist’s continued evolution, offering listeners a refreshing blend of smooth alternative R&B, infectious melodies, and an immersive visual experience.

With its warm production, effortless groove, and memorable hooks, “The Best Part” invites listeners into a feel-good atmosphere that is both intimate and uplifting. The single showcases J. MAURICE’s versatility as an independent artist, expanding his sound while remaining true to the authenticity and emotion that define his music.

The accompanying music video elevates the listening experience through cinematic visuals that complement the song’s mood and message. Together, the music and visuals create a compelling artistic statement that captures the essence of the record and gives fans another reason to connect with J. MAURICE’s growing catalog.

As an independent artist, J. MAURICE continues to build momentum by creating music that resonates through originality, emotion, and creative freedom. “The Best Part” represents another milestone in his artistic journey, demonstrating his commitment to crafting songs that stand apart while remaining accessible to a broad audience.

Whether discovering J. MAURICE for the first time or following his musical journey from the beginning, listeners will find “The Best Part” to be a standout release that reflects
confidence, growth, and an unmistakable artistic identity.

About J. MAURICE

J. MAURICE is an independent recording artist dedicated to creating music that blends emotion, originality, and contemporary sound. Known for exploring different musical styles while maintaining an authentic artistic voice, he continues to connect with audiences through compelling songwriting and memorable performances. With the release of “The Best Part,” J. MAURICE adds another exciting chapter to his evolving career, solidifying his place as an emerging independent artist to watch.

Media Contact

Jason Kemp
Email: Jkemp1625@gmail.com

Artist: J. MAURICE

Merce Drops Highly Anticipated Single “My Guy”

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https://youtu.be/HN1BcW6Q-Y4?si=nIuhlPT_CkC3O9y1 Los Angeles–based singer, songwriter, and producer Merce just released her highly anticipated single “My Guy“. Created with collaborators Rick Friedrich (The Roots) and Kush Oxford (Estelle), “My Guy” is off of her debut album ALIVE, which moves seamlessly between acoustic and electronic elements, grounded in her signature harmonies and emotionally resonant plainspoken lyricism. Written in the aftermath of profound personal loss, the album is both an intimate reflection and a powerful statement of resilience. It traces a journey through grief, transformation, and renewal, ultimately arriving at a place of clarity, strength, and self-definition.

Merce first emerged as a founding member of The Jazzyfatnastees, a group that helped shape the neo-soul movement of the late ’90s and early 2000s. She went on to collaborate with artists including The Roots, Stevie Wonder, and De La Soul, while performing on international stages such as the Montreux Jazz Festival and London’s Jazz Café.

Los Angeles–based singer, songwriter, and producer Merce creates music that moves fluidly across genre and emotion, blending alternative soul, pop, and electronic textures into immersive and cinematic songs that linger long after the music ends. With a voice that drifts between ethereal warmth and rich harmonic layering, her music invites listeners into a deeply personal yet sonically adventurous world, where curiosity and authenticity lead the way.

Raised in a musically rich home, Merce was immersed in rhythm, melody, and performance through her father, a Cuban salsa musician, singer, and composer who played bass and flute. Classically trained in piano, she developed a strong musical foundation while absorbing the eclectic sounds of the ’80s and ’90s, an influence that continues to shape her genre-fluid approach today. Her professional journey began at sixteen, when she joined the vocal group Shy!?, developed under the mentorship of acclaimed musician, producer, and educator Reggie Andrews who has collaborated with the likes of Rick James, The Pharcyde, Kamasi Washington, The Dazz band and more.

In 1992, Merce, performing under her given name, Mercedes Martinez, became a founding member of the quartet The Jazzyfatnastees. The group signed to Fathouse, an imprint of Tommy Boy Records, led by her brother, JSw!ft, producer of the seminal West Coast hip-hop album Bizarre Ride II the Pharcyde. The Jazzyfatnastees recorded an unreleased album at Fathouse before departing the label.

Positioned at the rich intersection of ’90s R&B and hip-hop, and at the genesis of what would become the neo-soul movement, The Jazzyfastnastees were invited to collaborate with The Roots and relocated to Philadelphia. Amid industry and personal transitions, the quartet ultimately evolved into a duo alongside Tracey Moore. They would become some of the most sought-after background vocalists of the late ’90s and early 2000s, collaborating with artists including Eric Benét, Meshell Ndegeocello, De La Soul, Stevie Wonder, and The Brand New Heavies.

Their debut album, The Once and Future, released on Motive Records (The Roots’ imprint on MCA), featured contributions from Questlove and producer Scott Storch. The Jazzyfatnastees released three albums to critical acclaim and performed internationally at renowned stages, including the Montreux and North Sea Jazz Festivals and London’s Jazz Café. In 1999, they were nominated for a Soul Train Lady of Soul Award and received press coverage from major publications such as Billboard, Time, Vibe, The Source, and USA Today. They also appeared on the soundtracks for The Hurricane and In Too Deep.

In addition to the success of The Jazzyfatnastees, the group, alongside their manager and producer Richard Nichols, co-founded the influential Black Lily, a women-centered live music series dedicated to artist development and creative community. Blending a house band, artist residencies, and a signature open-mic format, Black Lily became a vital platform for emerging and established artists alike.

Launched in 1999 at New York’s famed Wetlands, the series later found its home at The Five Spot in Philadelphia and also hosted events in San Francisco and Washington, D.C. What began as a grassroots movement quickly grew internationally, with Black Lily events in France and Japan. The platform later evolved into two Black Lily Film & Music Festivals, featuring artists such as Toshi Reagon, Amy Winehouse, Alice Smith, Jean Grae, Jill Scott, and Kindred the Family Soul.

Now, with her debut solo project ALIVE, Merce steps fully into her own artistic voice, marking a profound turning point both creatively and personally. Written after the loss of her partner in life and music, Richard Nichols, the album became a source of strength during a period of uncertainty while navigating life as a solo parent caring for their son with autism and developmental disabilities. ALIVE represents Merce’s journey through grief, resilience, self-discovery, and renewal.

Created with longtime collaborators Rick Friedrich (The Roots) and Kush Oxford (Estelle), ALIVE moves seamlessly between acoustic and electronic elements, grounded in her signature harmonies and emotionally resonant plainspoken lyricism.

It is her most introspective work to date, as she takes full creative control as an independent artist, creator, and producer, shaping not only the sound, but also her visual and live performance experience through multimedia expression.

The leading single “My Guy” is a slow-burning atmospheric musical embrace. Merce confides, “My Guy is less about a guy I didn’t align with and more about reassuring myself that there’s no need to cry.  Who or what is meant for me will not pass me by.  The music is atmospheric and moody with a march-like quality that feels like the path I’m on, the twisting, winding road to my highest good. “With ALIVE, Merce enters a new phase, one defined by clarity, authenticity, and creative freedom. It is the sound of an artist stepping fully into herself, embracing all the possibilities ahead.

Connect:

https://www.instagram.com/mercesingerwriter

Baneboy Drops New Hit Single “Visions”

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Baneboy, real name Immanuel Oliver, is a 30 year old American singer/rapper from Maryland, USA. He was raised in Trinidad and Tobago as a child and grew up with a strong connection to his caribbean musical roots. He integrates the local music of his family’s heritage (Soca music) with modern day hiphop, r&b and pop sounds.
Connect: 

@sungeechi

Seattle Has a New Voice and He Sounds Like Nothing You’ve Heard From There Before

If you’ve spent any time in the Seattle rap scene you already know the sound. WON knows it too, and he made a deliberate choice to be everything it isn’t.

Born and raised in Seattle, Hollywood Won has been carving out his own lane since 2019 with high-pitched melodies and bars that stick to you like a hook should. He pulls from hip hop but also absorbs punk energy and jazz texture, a combination that explains a lot about why he stands out in a city where, as he puts it, everyone sounds the same. He doesn’t. He sounds like WON.

His inspiration started close to home. His brother has been rapping since 2013 and passed on everything he knew about delivery, about how to ride a beat, about the fundamentals that separate an artist from someone who just makes songs. WON took all of it and then built something new on top of it. That’s exactly what a torch is for.

The newest proof is “PLG from Atlanta,” his latest single produced by NYC-based beatmaker @lofires. Won made the song in his room after the producer sent him the beat cold. The result is a track built purely for a good time, no heavy concept, no message to decode, just undeniable energy and one of the more creative bars you’ll hear this year. “I got cheese upon my bread, I call it stuffed crust.” That’s the kind of line that makes you rewind it.

The video was shot at night on a Seattle beach with the bros present, exactly the kind of authentic low-key energy that translates on screen.

He’s building his Spotify monthly listeners, staying consistent with visuals, and keeping his eyes on the next level. A major artist or label co-sign is the goal and if the trajectory holds, it’s not a matter of if, it’s when.

Follow WON on Instagram and stream on SoundCloud.

Petey Green Keeps the DMV Sound Alive with The Greenhouse

 

Few artists represent the DMV quite like Petey Green. Born in Washington, D.C. and raised throughout D.C., Maryland, and Virginia, his music reflects the attitude, hustle, and life lessons that come from growing up in one of hip-hop’s most unique regions. Every record carries pieces of those experiences, creating a style that’s authentic instead of following trends.

Petey’s journey into music started in high school after his longtime mentor and big brother figure, Michael Harry, talked about launching a record label. From there, he and his cousin Trust Lo began performing paid shows, turning what started as a dream into something real. Since then, he’s continued building his catalog while staying true to his own lane.

Fans often describe his music as “rider music”—laid-back hip-hop with heavy production that’s equally suited for late-night drives or everyday life. Rather than chasing whatever is popular, Petey focuses on making records people can connect with on a personal level.

His upcoming project, The Greenhouse, represents a new chapter. Unlike much of his previous work, the album is primarily a solo effort, giving him complete creative control over the direction and message. The project will be released through Feed A Million / Be About The People Records, with distribution through Kamapro and Sony’s The Orchard, while also featuring production from CashMoneyAP, OK Peter, Stantoni, Bass Heds, MJ Ultra, and others.

Life hasn’t always been easy. After a major legal setback in 2008 involving gun and drug-related charges in Prince George’s County, Maryland, Petey was forced to reevaluate his path. The experience ultimately strengthened his work ethic and reinforced his commitment to creating opportunities through music instead of letting obstacles define him.

Inspired by legends like Marvin Gaye, The Notorious B.I.G., Wu-Tang Clan, and Nas, Petey blends storytelling, soul, and authenticity into every release. His music frequently touches on relationships, faith, ambition, and enjoying life while reminding listeners that everyone’s story has value. As he continues releasing new music, his goal remains simple: connect with longtime supporters while earning new fans one record at a time.

DJ Bild Erect Returns with Debut Album Bildtion — Out Now

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The party-rocker turned producer delivers twelve tracks of hard-hitting hip hop with an electronic edge

He brought the bounce — now he’s building something bigger. DJ Bild Erect, the seasoned party-rocker who announced his arrival as a producer with last year’s high-octane EP Bounce, returns with his most ambitious statement yet: the full-length album Bildtion, out now on all major streaming platforms.

Where Bounce was a declaration, Bildtion is a world. Across twelve tracks, DJ Bild Erect fuses hard-hitting hip hop with a distinct electronic twist — booming drums and sharp lyrical energy colliding with synth-driven textures and club-ready momentum. It’s the sound of an artist who spent decades behind the decks reading crowds, now channeling all of that instinct into music that’s unmistakably his own. The album’s title says it all: Bildtion is a self-made universe, and every track is a brick in the foundation.

Longtime collaborators return in top form. Simone Miller — whose powerhouse vocals lit up Bounce — is back throughout the album, bringing soul and swagger to standouts like “Up Feel” and the atmospheric “November Snow.” Peter Anguria adds his smooth, emotionally charged delivery to tracks like “Let Me” and “Bad Behaviour,” while Yuli helps turn up the heat on the irresistibly funky “Jacking & Jilling (J & J).” But Bildtion isn’t just about the features: on cuts like “Move Me” and the title track, DJ Bild Erect holds the spotlight alone, proving that the beat curator turned beat creator has fully arrived.

From peak-time bangers to slower, moodier moments, Bildtion moves the way a great DJ set does — with intention, dynamics, and an unshakable groove. It’s hip hop you can dance to, electronic music with a heartbeat, and above all, a body of work that captures DJ Bild Erect at the height of his creative powers.

Bildtion is out now on all major streaming platforms. Turn it up, let go, and step into the world DJ Bild Erect built.

https://hypeddit.com/djbilderect/bildtion

D$AVAGE Drops New Hit Single “Chosen One”

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Kevin Gates’ younger brothers D$AVAGE and BWA Ron come together on “Chosen One,” combining raw street energy and hard-hitting production to show their own worth and help strengthen the foundation of the BWA roster.

Same bloodline. Same hunger. A new chapter.

Check out “Chosen One” out now on all platforms and make sure you follow D$AVAGE on social media for his latest releases.

Connect:

www.dsavagetv.net 

Instagram – @svglife100

Singer-Songwriter Sharmila Uses Music and Advocacy to Raise Awareness About Her Personal Journey

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Singer-songwriter, performer, and former social worker Sharmila is using her voice to raise awareness about what she describes as years of personal hardship while continuing to pursue her music career and advocate for accountability.

Originally trained in social work, Sharmila worked with children’s homes, women’s shelters, and refugees in the Netherlands while building her music career. From an early age, her daughter, Tanisha, accompanied her to  recording  studios and performances, where she learned about  the music industry. Sharmila also trained in jazz ballet for eight years during her childhood before later taking vocal lessons.

According to Sharmila, after publicly identifying herself as an artist in 2013 and sharing videos of her music and personal concerns online, she experienced years of censorship, discrimination, and institutional mistreatment. She alleges that she was prevented from freely pursuing her artistic career, separated from her daughter for several years, and subjected to treatment that caused lasting personal, professional, and emotional harm. According to Sharmila, the events she describes since 2013 have resulted in lasting physical and emotional effects.

Sharmila further states that she and her daughter stayed at a women’s shelter in Rotterdam in 2013, where she believes inaccurate reports contributed to subsequent events that profoundly affected their lives. She also alleges that she was confined for approximately ten years within organizations operating in the social work sector and that her intellectual property as an artist was harmed during that period.

The loss of her daughter, Tanisha, in 2021 remains a defining moment in Sharmila’s life and has strengthened her determination to speak publicly about her experiences through music and advocacy.

“I continue to use my voice because I believe no individual should be silenced for expressing who they are,”

Sharmila said. “Through my music and my advocacy, I hope to encourage awareness, accountability, and meaningful dialogue.”

Representing herself, Sharmila says she has submitted information and correspondence to several national and international institutions, including  authorities within the Netherlands and  European organizations, seeking review of her experiences.

Despite the challenges she describes, Sharmila remains focused on creating music and sharing her story with audiences  worldwide. She  hopes her journey will  inspire  conversations about  equality,  freedom of expression, and support for vulnerable individuals.

About Sharmila

Sharmila is a singer-songwriter, performer, and former  social worker  whose work combines music with advocacy. Having performed in both the Netherlands and the United States, she continues to use her creative platform to  share  personal  experiences,  promote  awareness,  and  encourage  dialogue on  issues  affecting women, families, and human rights.

Listen & Learn More:

SoundCloud: https://m.soundcloud.com/sharmila

 

Petition: https://www.thepetitionsite.com/takeaction/726/300/843/

Media Contact

Email: sharmilajoghi@gmail.com

Website/Social Media: SoundCloud and YouTube

Buddha Boy Announces Global Release of His New Album “33 Glimpses of the Eternal” on Spotify — August 7, 2026

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Internationally emerging artist Buddha Boy aka Bodhi, known for his genre‑bending fusion of hip‑hop, reggae, dancehall, electronic music, and experimental vocals, is officially releasing his highly anticipated album “33 Glimpses of the Eternal” on Spotify and all major streaming platforms. The project marks a milestone in his artistic journey, bringing together global influences, multicultural collaborations, and deeply conscious storytelling.

Saskatoon, Canada — Remedy Music / Kamani Records — 2026

A Global Artist With a Global Sound

Starting his musical path on the streets of Europe, Buddha Boy rose from the Ukrainian ghetto to the international underground scene, shaping a sound that is both rebellious and spiritual.

His music blends trip‑hop, shoegaze, ambient textures, and reggae rhythms with raw lyricism and emotional depth.

“Music became a way to inform, inspire, motivate, and channel hope,” says Buddha Boy.

About the Album – “33 Glimpses of the Eternal”

• Hard‑hitting revolutionary rap lines
• Smooth, dreamy, ambient‑inspired vocals
• Conscious messages rooted in human rights, truth, and positivity
• Multilingual performances from artists across India, Jamaica, Japan, Brazil, Ukraine, Portugal, the UK, and the USA

Collaborators

Collaborators include Mahesh Vinayakram (India), Roe Summerz (Jamaica), Don Husky (Jamaica), Nature Ellis (Jamaica), Triga Finga (Japan), Logic – People’s Army (UK), Arcanjo Ras (Brazil), Mocca 木歌 (Japan), Aura Da Prophet (USA), and Maze022 (India).
Production support came from Roe Summerz, Phineas Brady, Rupert McRae, and Clark Gamelin of Remedy Music, with executive production by Buddha Boy (Bodhi) and release through Kamani Records, co‑founded by Paul Barratt.

A Life Lived Across Continents

Buddha Boy’s music reflects real experiences from Ukrainian ghettos, Indian slums, Trenchtown, Jamaica, European streets, and Canadian cities — shaping a worldview centered on justice, spirituality, and artistic freedom.

“I don’t believe in trends or fake idols,” he says. “I create without boundaries.”

Community, Activism, and Global Impact

Associated with Rastamafia and The People’s Army, Buddha Boy’s work champions global justice and human rights.

He has performed across Europe, Africa, and Canada, including Reggae Month in Kingston, Jamaica, sharing stages with Don Husky, Nature Ellis, and Fred Locks.

Now based in Saskatoon, he continues to push boundaries and contribute to Saskatchewan’s growing music scene and beyond.

Global Release

“33 Glimpses of the Eternal” will be available worldwide on Spotify, Apple Music, YouTube Music, Amazon Music, and all major streaming platforms.

Pre-save: https://www.madver.se/presave/33glimpsesoftheeternal

Media Contact
Kamani Records
Email: kamanirecords@gmail.com
Artist: Buddha Boy aka Bodhi
Label Partner: Remedy Music, Saskatoon

David Biviano Takes Listeners on a Cinematic Electronic Journey with “The Getaway”

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Sydney-based artist David Biviano delivers a thrilling blend of electronic energy, retro atmosphere, and cinematic suspense with his single “The Getaway.” Released on June 6, 2026, the track appears on his album Strange Days and introduces listeners to a vivid soundscape inspired by classic spy films, neon-lit streets, and late-night escapes.

Blending elements of EDM and electronic music, “The Getaway” carries a strong sense of movement and tension. Its driving production feels like the soundtrack to a high-speed pursuit, while its atmospheric layers create an immersive, mysterious mood.

The track was written, composed, and produced entirely by David Biviano, highlighting his versatility as an independent musician.

From Drumming to Electronic Production

Born, raised, and currently residing in Sydney, Australia, Biviano began his musical journey at the age of 13 when he first picked up a pair of drumsticks.

His early connection with rhythm eventually developed into a deeper interest in composition and songwriting. At 17, he began writing lyrics, and by the age of 19, he was composing original music.

In 1994, Biviano earned a diploma in music theory and composition, strengthening the technical foundation behind his creative work. Today, he combines his experience as a drummer, lyricist, composer, and producer to create music that reflects both his rhythmic background and his interest in electronic storytelling.

The Inspiration Behind “The Getaway”

“The Getaway” was primarily inspired by “Spy In The Sky” by Italo Brutalo. The influence can be heard in the track’s retro-futuristic character, suspenseful atmosphere, and cinematic electronic production.

Biviano also draws inspiration from artists such as Emil Rottmayer and Kris Menace, whose work often combines electronic music with nostalgic synth textures and immersive visual moods.

Rather than simply recreating those influences, Biviano uses them as a starting point to shape his own musical identity. “The Getaway” feels familiar to fans of synth-driven electronic music while still carrying the personal touch of an artist who understands rhythm, composition, and atmosphere.

A Track Built for the Imagination

One of the most engaging qualities of “The Getaway” is its ability to create a visual experience through sound.

The title immediately suggests movement, danger, mystery, and escape. As the track develops, listeners can imagine speeding through a city at night, disappearing down empty highways, or becoming part of a secret mission.

Its energetic rhythms make it suitable for electronic and EDM playlists, while its cinematic qualities give it additional appeal for listeners who enjoy synthwave, retro-electronic music, and instrumental storytelling.

“The Getaway” is not simply a collection of electronic sounds. It is a carefully constructed musical scene designed to place the listener inside its world.

Entering the World of Strange Days

As part of the album Strange Days, “The Getaway” offers a glimpse into David Biviano’s creative direction.

The song demonstrates his ability to bring together his drumming background, formal knowledge of music theory, lyrical creativity, and production skills. Although Biviano has not yet performed live or collaborated with other artists, his independent approach allows his individual creative vision to remain at the centre of the music.

With every element handled by Biviano himself, “The Getaway” represents a genuinely personal release and an important chapter in his continuing development as an electronic artist.

Listen to “The Getaway”

Fans of EDM, cinematic electronic music, retro-inspired production, and atmospheric soundscapes should add David Biviano’s “The Getaway” to their listening list.

The track is currently available on Bandcamp:

Listen here: https://davidbiviano.bandcamp.com/track/the-getaway

Follow David Biviano and explore more of his music:

Audiomack:

https://audiomack.com/schmoo-1/songs

https://audiomack.com/david-biviano-

SoundCloud:

https://soundcloud.com/biv_y

Facebook:

https://www.facebook.com/gobbledock77

X:

https://x.com/schnoogans

With “The Getaway,” David Biviano proves that electronic music can be both energetic and deeply cinematic. Driven by suspense, rhythm, and imagination, the track invites listeners to step into the mysterious world of Strange Days and enjoy the journey.

DJ Enjetic Is Breaking Boundaries Worldwide

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The new era of global DJs

There’s a new kind of DJ taking over the world—one who doesn’t wait for permission, doesn’t stay boxed into one scene, and doesn’t let geography decide how far the music can travel. DJ Enjetic is part of that new era. The name has been showing up in more conversations, more playlists, and more radio rotations across multiple continents, because the mission is bigger than a single city or a single country.

What makes DJ Enjetic stand out isn’t just the ability to rock a crowd—it’s the ability to connect cultures through sound. From the UK to North Africa, from the Middle East to Oceania, and from Latin America to the United States, the movement is built on consistency, community, and a fearless approach to expansion.

This is the story of how DJ Enjetic is breaking boundaries in London and across the UK, the Netherlands, Egypt, Dubai, Morocco, Australia, Italy, New Zealand, China, Argentina, Brazil, Puerto Rico, and the United States—turning international reach into a real, growing brand.

London and the UK: where global culture meets the speakers

London has always been a proving ground. It’s one of the world’s most influential music capitals, built on multicultural sound systems and scenes that move fast. For any DJ with international ambition, London isn’t just a stop—it’s a statement.

DJ Enjetic’s momentum in London and the wider UK speaks to something important: the ability to translate energy across audiences. UK listeners have a deep appreciation for DJs who respect the craft—clean transitions, strong selections, and the confidence to blend genres without losing the vibe. That’s where DJ Enjetic thrives.

The UK also represents a bridge to the rest of Europe and beyond. When a DJ earns attention in London, it’s not just local—it’s global. The city’s influence travels through radio, clubs, streaming culture, and diaspora communities that keep the sound moving.

The Netherlands: precision, taste, and a forward-thinking scene

The Netherlands is known for music culture that’s both technically sharp and creatively open. It’s a place where electronic music has deep roots, but where hip-hop, Afro-influenced sounds, and global club music also have major space.

Breaking into the Netherlands means understanding that audiences there listen closely. They care about the mix, the pacing, and the overall journey. DJ Enjetic’s boundary-breaking approach fits because it’s not random—it’s intentional. It’s about taking the listener somewhere new while keeping the groove locked.

When a DJ can connect with Dutch listeners, it’s proof the sound is strong enough to travel—because the scene is competitive, and the standards are high.

Egypt: history, youth culture, and a rising appetite for global sound

Egypt is a powerful market for cultural influence. It’s a country with deep musical history, and a young population that’s increasingly connected to global trends. DJs who can bring modern energy while respecting the roots have a real opportunity there.

DJ Enjetic’s reach into Egypt reflects a bigger shift happening worldwide: audiences are no longer waiting for mainstream gatekeepers to decide what’s hot. They’re discovering music through digital radio, social platforms, and international mixes.

Dubai: the global crossroads of nightlife and ambition

Dubai is built for international movement. It’s a city where people from everywhere come together, and where nightlife and luxury culture meet global music trends.

For DJs, Dubai is a high-visibility stage. The audience is diverse, the expectations are high, and the energy is fast. DJ Enjetic’s presence in the Dubai conversation signals something important: this is a brand that’s comfortable in global rooms.

Dubai also represents business-minded growth. It’s not just about playing music—it’s about building a name that can live in premium spaces, collaborations, and international media.

Morocco: rhythm, culture, and a natural connection to global fusion

Morocco has always been a country where rhythm lives in the streets—where traditional sounds and modern influences can exist side by side. The Moroccan audience understands groove, understands percussion, and understands vibe.

DJ Enjetic’s boundary-breaking movement in Morocco fits perfectly with a culture that already knows how to blend. It’s a reminder that global DJ culture isn’t only about exporting one sound—it’s about exchanging energy.

When a DJ can connect with Morocco, it’s proof that the music is speaking a universal language.

Australia: wide-open audiences and a hunger for fresh energy

Australia’s music scene is massive, but it’s also geographically distant from many of the world’s traditional industry centers. That distance creates opportunity: audiences are often eager for new sounds, new DJs, and new movements.

Breaking boundaries in Australia means being consistent enough to cut through time zones and distance. DJ Enjetic’s expansion into Australia shows that the brand doesn’t rely on being “close” to the industry—it relies on being undeniable.

Australia also has strong festival culture and a strong appetite for DJs who can command a crowd. The ability to bring high energy while maintaining musical taste is exactly what makes DJ Enjetic’s movement translate.

Italy: style, soul, and a love for timeless music

Italy’s music culture is rich with emotion. Whether it’s classic soul, modern club records, or international hip-hop, Italian listeners often respond to music that feels alive.

DJ Enjetic’s boundary-breaking presence in Italy speaks to the ability to deliver feeling—not just sound. When a DJ can connect with Italian audiences, it means the selections are hitting on more than one level.

Italy also represents a place where culture and lifestyle are deeply connected. A DJ brand that’s building a global identity can thrive there, because Italy understands the power of image, story, and authenticity.

New Zealand: tight communities and real music lovers

New Zealand’s scene is smaller than some markets, but it’s incredibly passionate. Music spreads through community, through word of mouth, and through people who truly listen.

Breaking boundaries in New Zealand means earning trust. It means showing up with quality and consistency. DJ Enjetic’s growth there reflects a brand that people can get behind—because it feels real.

New Zealand also represents the power of the internet era: you don’t need to be in the biggest market to have global impact. You just need to be connected.

China: scale, digital discovery, and a new kind of audience

China is one of the most important markets in the world for digital culture. Music discovery there moves through platforms, communities, and trends that can grow fast.

Breaking boundaries in China is about understanding scale and momentum. It’s about being present in the digital spaces where listeners are discovering new sound.

DJ Enjetic’s international movement signals a brand that’s ready for that kind of scale—ready to be discovered by audiences who are curious, connected, and hungry for global energy.

Argentina: passion, rhythm, and a culture that loves the party

Argentina is known for intensity—whether it’s sports, culture, or nightlife. The music scene reflects that passion. DJs who can bring energy and emotion can build real loyalty.

Breaking boundaries in Argentina means delivering a vibe that feels alive. DJ Enjetic’s movement fits because it’s not just about playing records—it’s about creating moments.

Argentina also represents a gateway into broader Latin American culture, where DJs often become cultural figures, not just entertainers.

Brazil: unstoppable energy and a world-leading party culture

Brazil is one of the most powerful countries in the world when it comes to rhythm and celebration. The music is everywhere, and the audience knows how to move.

Breaking boundaries in Brazil is not easy—because the culture is rich and the competition is real. But when a DJ’s sound connects there, it’s proof that the energy is authentic.

DJ Enjetic’s global reach into Brazil shows a brand that can match that intensity and still bring something fresh.

Puerto Rico: the heartbeat of modern Latin sound

Puerto Rico is a cultural powerhouse. It’s a place where modern Latin music has been shaped, exported, and celebrated worldwide.

Breaking boundaries in Puerto Rico means understanding the roots and respecting the culture. It means knowing that the audience can tell when something is real.

DJ Enjetic’s movement into Puerto Rico reflects a commitment to global culture—not just global reach. It’s about being part of the conversation, not just passing through it.

The United States: home base, big stages, and nonstop competition

The United States is one of the toughest markets in the world for DJs, because the scene is crowded and the attention span is short. But it’s also where global brands are built.

DJ Enjetic’s presence in the United States—especially with strong ties to New York and Long Island culture—shows the foundation behind the international movement. The US is where the grind is constant: building audiences, building relationships, and building a brand that can stand out.

What makes DJ Enjetic different is the community-driven approach. It’s not just about chasing clout—it’s about building platforms, supporting artists, and creating real opportunities.

Breaking boundaries isn’t a slogan—it’s a system

A lot of people talk about being “international.” DJ Enjetic is building it.

Breaking boundaries across so many regions doesn’t happen by accident. It comes from a system:

• Consistency: showing up, staying active, and keeping the momentum alive.
• Adaptability: understanding that every audience listens differently.
• Culture-first mindset: respecting local scenes while bringing something new.
• Community: building real connections with listeners, artists, and partners.

This is what turns a DJ into a global brand.

The bigger picture: a global brand with a grassroots heart

DJ Enjetic’s story is bigger than a list of countries. It’s about what those countries represent: different cultures, different rhythms, different expectations—and the ability to connect them through one sound.

In an era where music travels instantly, the DJs who win are the ones who understand both sides of the game: the digital reach and the real-world relationships.

DJ Enjetic is proving that you can be worldwide without losing your roots. You can expand without becoming generic. You can grow without forgetting the community that made it possible.

What’s next

If the current momentum is any sign, DJ Enjetic is only getting started.

London and the UK are hearing it. The Netherlands is hearing it. Egypt, Dubai, and Morocco are hearing it. Australia and New Zealand are hearing it. Italy is hearing it. China is hearing it. Argentina, Brazil, and Puerto Rico are hearing it.

And the United States is watching a homegrown movement turn into a worldwide brand.

For major blogs, industry insiders, and music fans looking for the next global story, DJ Enjetic is one of the names to pay attention to—because breaking boundaries isn’t a moment. It’s the mission.

NuWorld Shadee Steps Into the Spotlight on Nukiknowws’ Upcoming Track “3 Dead Roses”

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The NUWORLDBABY movement continues to expand as NuWorld Shadee, also known as Blissa Monroe, prepares to make her official mark as a featured artist on Nukiknowws’ upcoming song “3 Dead Roses” set to release this year.

Known throughout the group as the behind-the-scenes music tech wizard, NuWorld Shadee has played an important role in helping shape the sound of NUWORLDBABY. While she is often recognized for her work mixing and mastering tracks for the collective, this collaboration gives fans a chance to experience another side of her creativity—her voice and artistry as a rapper.

NuWorld Shadee

When stepping behind the microphone, Shadee takes on the name NuEraBliss, bringing a different energy and perspective to the NUWORLDBABY universe. The upcoming “3 Dead Roses” collaboration marks a special moment, showcasing that her talents extend far beyond the technical side of music.

“I feel more than honored,” NuWorld Shadee shared. “I usually just mix and master NUWORLDBABY tracks, but this? I might just cry.”

The emotion behind the moment reflects how meaningful this opportunity is. After helping bring countless ideas to life from behind the scenes, Shadee now gets the opportunity to stand alongside her fellow artists and contribute her own story to the music.

Born February 28, 1998, and known within the group as a dedicated creator and innovator, the 28-year-old artist represents the balance between creativity, technology, and performance. Her transition from engineer and supporter to featured artist highlights the collaborative spirit that continues to define NUWORLDBABY.

NuWorld Shadee

“3 Dead Roses” is shaping up to be more than just another release—it represents growth, unity, and the different talents that make up the NUWORLDBABY collective. With Nukiknowws leading the vision and NuWorld Shadee stepping into her artist role as NuEraBliss, fans are eager to see how this new chapter unfolds.

For Shadee, this moment is a reminder that every role in music matters. Sometimes the person helping create the sound is also the person who deserves a chance to be heard.